Judo Level 4: Tsurikomi Goshi — Connect the lifting draw to hip support

釣込腰, tsurikomi-goshi, is a hip technique. 袖釣込腰, sode-tsurikomi-goshi, adds sleeve to the name. Kodokan lists them separately.

The main technique draws and lifts the forward-unbalanced partner onto the hip. Sode uses the sleeve in that lifting draw. Observe grip, torso and hip height together instead of copying hand positions across clips without distinguishing names.

Tsurikomi-goshi connects lifting-and-drawing action with bringing uke onto the rear hip. Read hands and hip as one sequence rather than lifting the arms and turning independently of uke. Mikihiro Mukai's nage-no-kata notes relate lowering the supporting point to uke's posture; this is a kata example, not a template every clip must copy.

O Goshi wraps the back from under the armpit; this technique emphasizes the lifting draw onto the hip. The final passage over a hip alone does not identify the name.

The sode-tsurikomi-goshi clip is a related technique included by the CSV, not a renamed tsurikomi-goshi. Both use tsurikomi and the hip, but sode-tsurikomi-goshi explicitly uses sleeve control. Identify the grips before discussing the shared principle.

Have an instructor check grips and entry distance before increasing speed. If the arms lift while the hip enters late, separate and reconnect the timing rather than pull harder on the partner’s shoulder.

The Level here refers to the IMAC Dojo curriculum. Use the article and clips to prepare questions and review them with your instructor. Practical training needs a suitable partner, space and controlled conditions.

For each clip, list what each hand holds, then examine the hip receiving uke. This reveals similarities and differences without implying that grips are interchangeable at will. Your instructor should check distance and arm alignment in practice.